Paint brush is resting in the jam jar
It's one of my favorite analog captures that depicts the inner landscape. My still photographs are less concerned with the symbolic implication of what I found unconsciously in her room than they are with the evocative power of light. They are remarkably accidental because the frame gives way to arrangements that seem random and spaces that though ethereal are mysterious.
Mira and the bed
Our mind examines the mechanism of remembering, linking the issue with one’s attachment to a place. Why are we attached to places and how do these affect our identities? I’m interested in the layers of the relationship between the material world and remembering, the transactions that are realized between woman and her environment.
Mira's dancing and drawing hand
I adore to taking pictures of family members, specially my daughter. Recording the time is a sense of frozen some moments. Collectively these are archives but more than it that feeds our curiosity. I called some photographs are IMs likely an instant messages. For instance a hand alone how it could be possible to register all that character, art and dance in a photograph of a hand.
Dancing feet
While we have started to live as a nuclear family again after 12 years, everyone has created their habitat, and she has continued where she lets go of her dream of painting.
Mira is in training dance since her childhood. From the tip-toe to the hair-bun tightened her life, massaged her exhausting legs, and counting the time between studio lessons, she studied until lockdown stopped her.
Quite moment
Some captures that I made with my 35mm analog camera. I love the whites have been pulled down, into a range of soft, dreamy grays, so that the tonalities of the photograph agree with the young woman’s quiet expression. Quarantine days are draining in and three bodies wondering in a 1000 square feet apartment where days are filled without any intimacy.
Mira and the kale salad bowl
Some of still life scenes are able to break through the persona of a promising artist of near future. More than a family photos by the time I found the spirit of her artistry in some frames, while it’s been shown the normal person behind them. Mira is stretching after eating a bowl of kale salad in her bed where usually does everything on.
Meaningless content
Barthes wishes to put into words the very essence that makes a photograph worth viewing, and in some cases, enchanting. Photography is a virtual reality constructions within an aesthetic and narrative arrangement that depicts the real world. Sometimes this can be happen directly, sometimes illusory.
The idea was to make cinematic and narrative images. I wanted to explain the moods with human forms and the intensity of the black and white textures. Every period in the future will leave us many permanent marks in different ways. Every shape joins the other. No one is independent of the other, and nothing rhymes with another, and light shapes them.
She needed this capture
This photography series simultaneously discuss subjective and collective remembering, the lack of places, and influential people. The irony is blended with nostalgia in the water while the things come back to life. The lines stand out or disappear, such as the moldy slide comes back to life due to demise. Due to the installation, these photos are represented in an association network, forming a diary-like memorial.
Mira is in the bathtub
Her face is sober and tense, her expression that of someone whose mind is elsewhere. Behind her is a man in the painting. I intent on obliterating this absurd way of thinking, but I have no idea how the drawings she yet may be, nor what those meanings may contain.
